The Exposure Of The Suggestion Of Foolishness In Renewal Theoretical Music Contexts

Authors

  • Oscar Jo Ão Abdounur Organization Of Mathematics And Statistics Of The College Of São Paulo Rua Do Matão, 1010, Cidade Universitária, 05508 090, São Paulo, Brazil

Keywords:

Maths/music, renewal, aritmetization of proportions

Abstract

This paper means to think about the interrelationships among science and music with regards to
changes in the origination of music during the renewal. Western music created from depending on a
cosmological-numerical theoretical model, where consideration was centered around the levelheaded
action of hypothesis, to a numerical exact model, wherein the fundamental accentuation lay on the
nature of the actual sound and on its laws and consequences for individuals. Melodic suggestions like
disposition, division of the tone, changes in the establishments of hypothetical music, numerical primary
changes in hypotheses of proportion and subsequently the development of the possibility of irrationals
and number continuum in hypothetical music settings will be considered here to comprehend the base
of such an adjustment in the origination of western music.

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References

Creese, David E. The Monochord in Ancient

Greek Harmonic Science: Cambridge

University Press (2010). [3] Ellsworth,

Oliver B. A Fourteenth-century proposition

for equivalent demeanor.

Archaic and Renewal Studies 5, 445-453

(1974). [4] Goldman, David Paul. Nicholas

Cusanus' commitment to music hypothesis.

Rivista Internazionale di musica sacra 10/3-

, 308-338 (1989).

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Published

2021-02-19

How to Cite

Oscar Jo Ão Abdounur. (2021). The Exposure Of The Suggestion Of Foolishness In Renewal Theoretical Music Contexts. International Scientific and Current Research Conferences, 1(1), 42–43. Retrieved from https://orientalpublication.com/index.php/iscrc/article/view/470